Sofia Gubaidulina. Chaconne for piano. Composition Information ↓; Description ↓; Appears On ↓. Share on. facebook · twitter · tumblr. Sofia Gubaidulina. Publisher: G. Schirmer. Chaconne (). Work Notes. available in the USA, Canada and Mexico only. Publisher. Hans Sikorski/VAAP. Sofia Gubaidulina (b. ) Chaconne (). Gubaidulina composed this piece, one of the earliest in her catalogue, in , when she was.

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She also composed the score to the well-known Russian animated picture ” Adventures of Mowgli ” a rendition of Rudyard Kipling’s Jungle Book. Soon this music too has begun racing, and one last blistering run up the keyboard sets the stage for the unaltered return of the initial ciacona theme. Gubaidulina’s music is characterised by the use of unusual instrumental combinations.

By using this site, you agree to the Terms of Use and Privacy Policy. Introspection Late Night Partying. The third movement is constructed of 7 episodes, in which there is a continuous liberation of energy hubaidulina during the previous movement. The Piano Sonata guvaidulina dedicated to Henrietta Mirvisa pianist greatly admired by the composer. Sixty-four times it comes, on through a middle guabidulina in the major variationsall the time supporting counterpoint that implies up to seven simultaneous lines, until finally the voices spiral into the keynote.

There is an explicit cadenza this time for the keyboard soloist with the invitation to extend itafter which the music maintains its seriousness to the end. Gubaidulina’s chaconnne piano output belongs to her earlier compositional period and consists of the following works: Share on facebook twitter tumblr. Finally, the whole chorale bursts in on full strings, sounding in this setting like an old Russian hymn.


Gubaidulina composed this piece, one of the earliest in her catalogue, inwhen she was still a postgraduate student at the Moscow Conservatory.

gubaidulins Elements of the theme are treated in dialogue by the solo flute and violin, but the keyboard comes to assert itself as the dominant solo instrument, with passages where it is unaccompanied. AllMusic Featured Composition Noteworthy. The two works together form a “diptych” on the death and resurrection of Christ, her largest work to date.

Chaconne for piano

Rhythmically, Gubaidulina places significant stress on the fact that temporal ratios should not be limited to local figuration; rather, the temporality of the musical form should be the defining feature of rhythmic character. Interview with Sofia Gubaidulina”, Anyone who does not expect mature Gubaydulina will enjoy this work.

Some examples of the nontraditional sounds produced are a glissando performed with a bamboo stick on the piano pegs against a cluster performed on the keyboard, placing the bamboo stick on vibrating strings, plucking the strings, glissando along the strings using fingernail, touching the strings creating a muted effect.

Early as the piece is, it makes gubaidklina powerful effect and projects typical Gubaidulinian matters of determination and conflict, exhilaration and exhaustion.

Sofia Gubaidulina – Wikipedia

This notion is furthered by her extreme dichotomy characterized by chromatic space vs. Only the soloists take part in the slow movement, which opens with an eight-measure duet for flute and keyboard, with pizzicato violin accompaniment, followed by a variation for violin and keyboard with flute accompanying.


Harmonically, Gubaidulina’s music resists traditional tonal centers and triadic structures in favor of pitch clusters and intervallic design arising from the contrapuntal interaction between melodic voices. The Complete Piano Music.

Allegro Sonata formAdagioand Allegretto. Rhythm is a very important element in the construction of the work, articulating a distinct rhetoric, as well as in the development of the musical material. Views Read Edit View history. From Wikipedia, the free encyclopedia.

Sofia Gubaidulina

She was supported, however, by Dmitri Shostakovichwho in evaluating her final examination encouraged her to continue down her path despite others calling it “mistaken”. In conversation she is most keen to stress that she cannot accept the idea a frequent post-serial one of rhythm or duration as the material of a piece.

In the recapitulation, the chord progression of the first thematic complex is brought to the higher registers, preparing the coda based on secondary theme cantabile element, which gradually broadens.

Melodically, Gubaidulina’s is characterized by the frequent use of intense chromatic motives rather than long melodic phrases. Retrieved 16 September The harpsichord, however, has the last word, closing with chwconne sequence of chords whose guhaidulina notes spell out B—A—C—H. After discovering music at the age of 5, Gubaidulina immersed herself in ideas of composition. Aspects of the first two movements are expressed differently in the finale: Not unlike the violin chaconne in this respect, the six-part ricercar has been a great source of interest to later musicians.