SONATINE FOR FLUTE AND PIANO. BY PIERRE BOULEZ. A Written Document. Submitted to the Graduate Faculty of the. Louisiana State University and. Sonatine: Pierre Boulez: In his Sonatine for flute and piano (), the tone imitations and canons progress so quickly as to leave an impression merely of. Boulez: Sonatine For Flute & Piano, Etc / Ensemble with Aimard, Pierre- Laurent, Cherrier, Sophie on CD. Order from your preferred classical music CD store.
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Sonatines for flute and piano. The twelve-tone materials used in this work are easily seen by a quick look at the flute opening. The Sonatine for flute and piano serves as a perfect example of some of the stylistic variations Boulez took from his contemporaries, and why, years later, this work and those like it are still examined for their innovative qualities.
Boulez: Sonatine For Flute & Piano, Etc / Ensemble – Apex: | Buy from ArkivMusic
While it’s true that Boulez may have gotten the core of this idea from Schoenbergit has a life of its own in Boulez ‘ hands. The French Avant-Garde in the sonatije Century. Sexy Trippy All Moods. Also, he has fod some of his divisions of the twelve tones into groups of five, five, and two, with the use of the motif tritone to fifth.
The piece itself is rather short, but full of energy, with huge melodic leaps, sharp rhythmic and tempo contrasts, and an aggressive quality which never lets up until the conclusion of the piece.
Boulez/Dutilleux/Jolivet et al – Sonatines for Flute and Piano |
Chant de Linos; Boulez: Sonatine; Piano Sonata No. Share on facebook twitter tumblr.
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Upon closer examination, it also appears that sonatone choice of intervals used is limited to major thirds, sevenths, tritones and perfect fifths. But here is proof that atonality can be fun. The first five-note theme which appears in the flute part does show up in various stages throughout the piece; keeping the piece united, these act as a landmark throughout the piece. Le Domaine Musical, Vol.
Gramophone products and those of specially selected partners from the glute of music. Georges Barrere, for whose platinum flute Varese wrote his ground-breaking Densite And, with the minor reservations mentioned above, that goes for the performances, too.
Boulez: Sonatine, Piano Sonata No. 1
Pierre Boulez: Sonatine
Le Domaine Musical, The Schoenberg work is written in a post-Romantic goulez, while the Pizno is most definitely serialism at its finest. Throughout most of the work, there is no true connective tissue between the flute and piano parts past the pitch choices, which perhaps leaves the variations on tempo, texture, and timbre as the unifying structure to the entire work.
The all-time greats Read about the artists who changed the world of classical music. If anx minutes seems a touch short for a CD these foor, at least we have the pleasure of knowing that every note on this disc is quality-assured. Boulez ‘ writing is twelve-tone in its basic pitch material, and virtuosic in its use of the timbres, unique combinations of textures, shifts in dynamic accents, etc.
From this work of his predecessor, Boulez took, more than anything else, the idea of “the metamorphosis of a single theme”. The Sonatine was written on commission for flutist Jean-Pierre Rampalwho curiously never played it because of his extreme dislike for the work.
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